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Flemish Northern Renaissance Painter, active 1480-1500
Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family.Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perreal and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.
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The Dauphin Charles Orlant
Painting ID:: 2168
Jean Hey1.jpg
Musee du Louvre, Paris
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Anne of France
Painting ID:: 2169
Jean Hey2.jpg
1492-93
Musee du Louvre, Paris
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Pierre II
Painting ID:: 2170
Jean Hey3.jpg
Musee du Louvre, Paris
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Portrait of Margaret of Austria
Painting ID:: 2171
Jean Hey4.jpg
1490-91
Metropolitan Museum of Art, New York
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Madeline of Burgundy
Painting ID:: 2172
Jean Hey5.jpg
1490
Musee du Louvre, Paris
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